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welcome
Tara Behbahani has been learning the tricks and techniques of Sculpturing with her mother, and painting with her father, since early childhood.
Read Morelatest exhibitions
aGolestan Gallery- Distant Memories
Solo exhibition in Tile of "Distant Memories"in Golestan Gallery. 16 works of Tara were shown in this Exhibition and more than 450 people attended in the opening ceremony.bQingdao international art Biennial
focused on art, fashion and nature to integrate art into the city in Qingdao, a coastal city in Shandong Province on 2014cThe 4th Fine Art Festival
for children with cancer in NACF Foundation, Tehran on 2013Published Articles
- Geometry in Art (2007 Tehran) Faslnameh honar, Art University, No.16
- The Comparison study of” Tree of Life” (2009 Tehran) Pooyesh Magazine Azad University Publisher, No.2
- Art Anthropology in Lorestan’s Metal works
- Expression of Qoran in Caligraphy Art
- Geometric effects on Islamic metal works vessels in northeast of Iran
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Galleries
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Interaction
Dream song -
Forgiveness of nature
Waiting for spring -
Prowling
Shadow of war -
Freedom Celebration
Twin -
Gazelle Company
Hunting sensation -
Freedom dignity
Spring Dance -
Love Music
Sweet Melody -
Morning trahquility
Peace Ambassador -
Rise
Dayspring -
Morning rises
Dream Calmness -
Passing through imagination
Sky Mirror -
Past Memory
Splendor dream -
Waiting for spring
Music Companion -
Promise of a Rise
Tune Familiar -
Tranquility after the storm
The purity of a feeling -
Altar of Love
Not Long memory -
Relief
Between Two Motives -
Maturity
Time Passenger -
Burnt Justice
Colorful Memories -
Transmogrification
Dawn -
Magic Flute
Dance of Life -
Youth Years
A Mother World -
My Childhood
Horse and Dream -
Springtime Wishes
Parents' Home -
In Search of Time
Spring Close up -
Flourishing Autumn
Garden's Mirror -
Nightfal Poem
Nostalgy -
Spring Shower
In Adoration of spring -
The Day of Birth
Moon in The Lake -
Exultation in City
The Hidden Abbundance -
Life Narrative
Crystallize sense -
Effulgent weald
Amorous Contrast
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Biography
She has been learning painting with her father, who himself is one of the famous contemporary artists, Taha Behbahani, since early childhood.
She has been participated in several exhibitions in Iran and abroad. She has merged the Iranian artistic motifs in the form of abstract and has presented the new fantastic method. Beside the paintings, Tara has studied Art and Mathematics alongside each other and this has led to research and write in the subjects of Islamic and eastern art in various articles and magazines. She also attended in various conferences and biennales as researcher and speaker. For the past 12 years she has been teaching painting to youth and children, nurturing and training their sense of creativity.
exhibitions
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privacy policy
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Art Anthropology in Lorestan’s Metal works
ABSTRACT
Only by searching the beliefs of nation, one could find the depth idea and concept of their day life. Art Anthropology is the field of knowledge, which can analyse the relations between the early artifacts of Persian Aryan tribes. The Metalwork’s of Lorestan ( in south west of Iran) is dated back to 4000 B.C., this is rooted in the beliefs of Cassia nation. After introducing this nation and expressing about their beliefs and styles, we will focus on how the designs and forms are created on the metal works of Lorestan.The metal works of this region are the most considerable branch of art works in the art history of Iran. By the Anthropology study, in the field of culture and religious, the influences of Mythology will be obvious.
The way of living and traditions and the effects of the countries aside are clear. The human’s needs and also knowing himself led us to the unconscious ideas.The thought of nature and death, the mythology elements and the habits of routine life such as horse worshiping end in remarkable conclusions.
Keywords: Art metal work ,Lorestan Metal work, Cassia Nation, Art Anthropology in Lorestan, Art in the early Lorestan nations
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Geometric effects on Islamic metal works vessels in northeast of Iran
ABSTRACT
Some people believe that Mathematics is a branch of abstract science, but many civilizations can use the benefits of this specialty, they profit by mathematical knowledge for developing the civilization.Geometric is one of the mathematics’ branches. Mussulmen, especially Iranian, can use geometry to complete their civilization in different fields. One of these fields is Islamic-Iranian metal works.This is the place which the tricks and principals of metal workers mixed with the geometric sciences and this is the reason for art to grow up.In this essay, try to analyze the geometric effects on Islamic- Iranian metal art works in the Seljukians and Timurids Era and also find the existence symbols of the forms on metalwork vessels and refer it to geometrics signs.For analyzing the geometric forms on metal artworks in northeast of Iran, in first step try to know the imaginary symbols and in next step enter the mathematical fields and geometric ratios.In drawing the geometric plan and model, use the Ossam Al saeed‘s theory in relationship between art and geometric in Islam, and also Abolvafa bouzani, the mathematician. The circles and octagons and other geometric forms attend in analyzing and designing the forms on the vessels in this era. These forms show the artist imagination, consciously or unconsciously, involved in mathematics relations and ratios. The manifestation of these forms lead to interesting and flourishing result.Keywords: Art metal work ,Lorestan Metal work, Cassia Nation, Art Anthropology in Lorestan, Art in the early Lorestan nations
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Interaction
Dream song
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Forgiveness of nature
Waiting for spring
-
Prowling
Shadow of war
-
Freedom Celebration
Twin
-
Gazelle Company
Hunting sensation
-
Freedom dignity
Spring Dance
-
Love Music
Sweet Melody
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Morning trahquility
Peace Ambassador
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Rise
Dayspring
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Morning rises
Dream Calmness
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Passing through imagination
Sky Mirror
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Past Memory